Music Brings Healing When It Is Needed Most
Every week, three music therapists from MJHS Hospice and Palliative Care crisscross the city and suburbs to sing songs to the dying, they try these multi effects pedals every week to try different effects. With guitars strapped to their backs, a flute or tambourine and a songbook jammed in their backpacks, they play music for more than 100 patients, in housing projects, in nursing homes and even in a lavish waterfront home. The time for chemotherapy and radiation is over.
The music begins: a song to hold death at bay, a song to embrace death, or to praise God. A Vietnam veteran asks for a song in Vietnamese. One man asked only for songs with death in the lyrics, to force his family to talk to him about the future. He was ready to talk about it. They weren’t. So the therapist sang Queen’s version of “Another One Bites the Dust.” “Amazing Grace” and other spiritual songs are most often requested just before death.
James D. Williams, 85, of Brooklyn, who is dying of cancer, says, “Right now I am on borrowed time.” A therapist, Charla Burton, visits to sing hymns with Mr. Williams and his wife of 61 years, Daphne, 79. “The Lord has kept me and I am very grateful,” Mr. Williams says. “With the backup of my wife. She holds on to me.” Both were born in Belize, and their songs, part of their spiritual practice, have a joyful Caribbean lilt.
In Oceanside, N.Y., Merle Gross, 73, is dying of breast cancer. Sitting beside an ocean inlet, she and Ms. Burton make selections for a songbook she wants to leave behind. If there is time enough, it will include songs for every member of her family, all the people she loved and her dog, Shayna.
And in a Manhattan housing project, a mother cradles her 6-month-old daughter, Cecilia, and Meredith Traver plays a lullaby on her guitar, softly singing the words, “Papa is going to buy you a mockingbird.”
One of the youngest patients in the program, Cecilia Havre, has a genetic defect, Trisomy 18; half those born with this disorder do not survive beyond the first week of life. The baby smiles at her mother, Chantel Vazquez, and her father, Eddie Havre. Cecilia is deaf, but the music soothes her parents. Cecilia is thriving in hospice — or end-of-life — care and may be moved to palliative care, where treatment may be incorporated.
Rose Vuolo, 86, an Alzheimer’s patient on Long Island, has had visits from Ms. Burton for four months.
Rose rarely speaks. “She has gotten progressively worse,” says her grandson, Paul Motisi. “It’s become constant confusion.” Except sometimes when Ms. Burton visits.
Ms. Burton plays the Cole Porter song “Begin the Beguine” — the lyrics of which even Cole Porter said he could not remember without the sheet music. Yet on a good day, Rose sings along, with perfect pitch and range. It was the song she and her husband danced to at their wedding.
Millicent Wilson, 94, who is dying of colon cancer in the Bronx, stopped singing after her husband died and she got sick, says her son, Mark V. Wilson, who stopped working to take care of her. But because of her music therapist, Yelena Zatulovsky, his mother is singing again.
At the end of a song, she asks him, “Mark, why don’t you dance anymore?”
HPCG currently employs music therapy for its hospice patients at Beacon Place, long-term care communities and in-home as well. Many of the patients HPCG serves have memory deficits or are nonverbal, so music evokes emotions that otherwise can’t be seen.
Original article published as “Relaxing, Touching the Memory, Music Helps With the Final Transition” in the New York Times.